Pataphysical Essays
$14.00
by René Daumal
translated by Thomas Vosteen
Essays reflecting on the science of imaginary solutions, from an influential figure in pataphysical thought.
Pataphysics: the science of imaginary solutions, of laws governing exceptions and of the laws describing the universe supplementary to this one. Alfred Jarry’s posthumous novel, Exploits and Opinions of Dr. Faustroll, Pataphysician, first appeared in 1911, and over the next 100 years, his pataphysical supersession of metaphysics would influence everyone from Marcel Duchamp and Boris Vian to Umberto Eco and Jean Baudrillard. In 1948 in Paris, a group of writers and thinkers would found the College of ’Pataphysics, still going strong today. The iconoclastic René Daumal was the first to elaborate upon Jarry’s unique and humorous philosophy. Though Daumal is better known for his unfinished novel Mount Analogue and his refusal to be adopted by the Surrealist movement, this newly translated volume of writings offers a glimpse of often overlooked Daumal: Daumal the pataphysician. Pataphysical Essays collects Daumal’s overtly pataphysical writings from 1929 to 1941, from his landmark exposition on pataphysics and laughter to his late essay, “The Pataphysics of Ghosts.” Daumal’s “Treatise on Patagrams” offers the reader everything from a recipe for the disintegration of a photographer to instructions on how to drill a fount of knowledge in a public urinal. This volume also includes Daumal’s column for the Nouvelle Revue Française, “Pataphysics This Month.” Reading like a deranged encyclopedia, “Pataphysics This Month” describes a new mythology for the field of science, and amply demonstrates that the twentieth century had been a distinctly pataphysical era.
Paperback | 116 pages | The Museum of Modern Art | 2012
René Daumal (1908–44) was a literary prodigy in his teens, publishing poetry that attracted the attention of André Breton and the surrealists. Forging his own path instead of joining the group, he co-created and edited the influential literary journal Le Grand Jeu (1927–32), before turning his attentions to Eastern philosophy under the influence of Gurdjieff and Alexandre de Salzmann (model for the character Father Sogol in Mount Analogue). His early death from tuberculosis in 1944 left his masterpiece, Mount Analogue, unfinished; nonetheless it became his best-loved and most famous work.
